

Recorded 15 years ago yesterday, this is a montage of San Francisco’s Z95.7 about a year and a half after its launch.
As heard on this aircheck of the station from July 1997, Z95.7 initially employed a dance-heavy approach, similar to Z104 (WWZZ) in Washington, D.C. and 102.7 ‘XYV (WXYV) in Baltimore. However, over time, as demonstrated here, the playlist became more balanced.
In 1986, 94.7 WLS-FM in Chicago changed its call letters to WYTZ and began referring to itself as “Z95″. This new approach, along with a long list of personnel changes, made the station became a serious competitor to the market’s heritage CHR, WBBM-FM (B96).
This is a brief sample of Z95 from the very early morning hours of New Year’s Day 1987, during primarily mixshow programming.
Recorded 15 years ago today, this is a montage of the long-running KIIS-FM during one of the peak eras for the Mainstream CHR format.
During the early to mid-90′s, many Top 40 stations in the United States leaned towards either Rhythmic music or towards Modern Rock. This is a sample of a station with the latter approach – recorded 19 years ago yesterday.
According to Wikipedia, KLRZ actually targetted the New Orleans market during this time, with a goal of moving the transmitter closer to that area. However, Hurricane Katrina effectively ended those plans.
During the mid-1980′s and 1990′s, a Mainstream Top 40 format known as “The Bus” aired on WBUS 99.9 FM, serving the southern suburbs of Chicago. At least in its twilight, as evidenced by this aircheck, the Bus offered an interesting playlist to say the least. However, the station was sold in August 1996; the new owner debuted a Spanish-language format on the frequency.
At some point between then and April 1998, the “Bus” name (with a seemingly less interesting Top 40 format) was reborn on 100.7 FM (which adopted the call letters WBVS). The montage featured here is a sample of the newer “Bus”; it survived until approximately January 2003, at which point the format changed to Classic Rock with new call letters WRXQ.
From its days as a Mainstream CHR, this is a sample of the “ZPL Hitzone” mixshow from a Saturday night in January 1998. This was a high-energy program broadcast live from an upscale beach-themed nightclub (now defunct) named Gators on the fourth floor of the Circle Center Mall in Indianapolis. At this time, the station’s primary voice was the late and great Brian James.
In January 1998 (starting 16 years ago this weekend), WIOQ dedicated an entire weekend of programming to one of its market’s predecessors in the CHR format: the legendary 98 WCAU-FM. This “Hot Hits Reunion Weekend” featured several of WCAU’s top personalities sharing memories of their time at the station, with early-to-mid 80′s music to match.
Recorded 15 years ago today, this is a sample of Portland, Maine’s WRED during its days as a Mainstream CHR in the late 90′s. According to Wikipedia, the station eventually moved in a more hip-hop/rhythmic direction and remained that way until adopting a Sports format in August 2008.
Apologies for the mediocre sound quality that plagues the first two-thirds of this aircheck; it sounds better starting around the 2:43 mark.
In the late 80′s, and the very early 90′s, Phoenix was one of the best markets for fans of the CHR format. Nationwide Communications’ heritage KZZP found itself in a heated battle with Edens Broadcasting’s Y95 (KOY-FM) and The Broadcast Group’s Power 92 (KKFR).
KZZP dominated for most of the 80′s. But with changes in management, personalities, and pop music tastes — ratings dropped significantly in the early 90′s, leading to a format and name change in April 1991.
Y95, capitalizing on the changes and later demise of KZZP, enjoyed ratings success at the start of the decade. But in late 1992, the station moved in a different direction, bringing in new personalities and tinkering with its Rhythmic-leaning playlist. Specifically – the station began using a dayparted approach, leaning towards Hot AC during the day, and emphasizing less mainstream modern rock/hip-hop/dance music during nighttime hours. A few months later, the station somewhat reverted to its previous sound, but the end result was an unfocused mess, low ratings, and ultimately a format change (preceded by stunting) in early September 1993.
This left KKFR and its hip-hop/R&B focused Rhythmic CHR format without any direct competition. Despite its impressive ratings, the station elected to move towards a Modern Rock-based Mainstream CHR format — heard here is the first day of their new approach.
Somewhat amusingly, at least three different positioning statements were heard throughout the day:
Please note: This montage was compiled from one of my own personal “mix tapes” – not professional unscoped airchecks. As a result, many of the songs heard are the (Rhythmic) ones that I chose to record — in reality, the station was playing more Modern Rock than what is heard here.
Recorded 17 years ago today, this is a sample of the station that represented the Mainstream CHR format in our nation’s capital during the mid to late 90′s, about seven months after its debut.
This aircheck of Southwest Florida’s Power 93.5 was recorded 17 years ago today. The station offered an uptempo, gold & recurrent-friendly CHR format.
107.3 FM in Washington, D.C. has been Hot AC as “Mix 107.3″ since 1990. But in the 12 years prior, it was CHR/Top 40 as “Q107″. This is a sample of the station fromtthe peak era for the Mainstream CHR format in the mid 80′s – although the station arguably had what today sounds like a slight Adult lean. And two years later, Q107 offered a rather “hairband”-heavy approach. Thanks to Robyn Watts for contributing both of these airchecks.
Our sister site, Airchexx.com, also features a pair of Q107 samples:
In addition, below are a pair of articles from The Washington Post about the flip from Q107 to Mix 107.3:
This is a montage of 103.3 VYB shortly after its debut, recorded 17 years ago this month. At the time, the station offered a relatively broad, interesting mix of CHR currents, recurrents and even gold.
According to Wikipedia, the station’s call letters did not change to WYVB until November 1999.
Deviating from the name and predominant theme of our site, here’s a sample of what had become a rarity by the mid-90′s: a (Mainstream) CHR station heard on AM, without an FM simulcast partner.
Many thanks to Rory Francisco for contributing this aircheck and the detailed description below!
Hot 101.9 WHTE launched in February 2001, giving Charlottesville its first CHR in many years. WHTE, owned by Clear Channel at the time, had previously been a jammin’ oldies format, WVSY “Y101.9.” Charlottesville is no longer an Arbitron rated market, but when it was, Hot 101.9 was consistently in the top 5 ratings-wise. The signal
is a class A that suffers from lots of multipath in the area due to the Blue Ridge Mountains, but WHTE has since added a downtown Charlottesville translator on 104.9 and a high quality Web stream and smartphone app that help with reception.
PD Pauly Madison did a great job, keeping the station live and local as much as possible despite budget constraints. In 2001, Hot 101.9 piped in Rick Dees for mornings, then Jenny Fox (formerly of WXRA/Greensboro) for middays, Pauly in the afternoons, and PJ Styles at night. Eleven years later (when this aircheck was originally posted), PJ, Pauly and Rory were still at Hot 101.9–an unusually “ironclad” airstaff for a small market!
Rory still lives in Virginia and works part time at Hot 101.9, as “Billy Dylan” (Saturday and Sundays 3-7 pm). The station is now owned by Monticello Media. This aircheck features Pauly Madison doing a live remote, with Rory at the board.
Recorded 18 years ago this month, this is a sample of the late Kidd Kraddick hosting mornings on one of America’s most successful CHRs, in its relatively early days.
More information about Kidd Kraddick and his passing can be found here on FMairchecks.com and our sister site, Radioinsight.com.
Jacor (now Clear Channel) debuted KSLZ in October 1997 and filled a huge hole in the St. Louis market for a true CHR/Top 40 station. This is a sample of the station from the following May (recorded 16 years ago this month). It features regular programming leading into a Saturday night mixshow.